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Historically, following the French usage, it was the practice to add a silent e at the end of words for aesthetic purposes. For example, words ending in -le (as in subtle and table ) as well as following an s (such as house and tense , etc) have a redundant silent e .
French aiguë or aigüe "acute (fem.)" Note that the e is silent in most modern accents; without the diacritic, both the e and the u would be silent, or pronounced as a schwa in accents that have conserved all post-consonantal schwas, including in poetry recitation, as in the proper name Aigues-Mortes [ɛɡ(ə)mɔʁt(ə)].
A profound change in very late spoken Latin (Vulgar Latin, the forerunner of all the Romance languages) was the restructuring of the vowel system of Classical Latin.Latin had thirteen distinct vowels: ten pure vowels (long and short versions of a, e, i, o, u ), and three diphthongs ( ae, oe, au ). [2]
French phonology is the sound system of French.This article discusses mainly the phonology of all the varieties of Standard French.Notable phonological features include its uvular r, nasal vowels, and three processes affecting word-final sounds:
Renée Adorée (born Jeanne de la Fonte [ʒɑ̃ de lɑ fɔn.te]; 30 September 1898 – 5 October 1933) was a French stage and film actress who appeared in Hollywood silent movies during the 1920s. She is best known for portraying the role of Melisande, the love interest of John Gilbert in the melodramatic romance and war epic The Big Parade .
French orthography encompasses the spelling and punctuation of the French language.It is based on a combination of phonemic and historical principles. The spelling of words is largely based on the pronunciation of Old French c. 1100 –1200 AD, and has stayed more or less the same since then, despite enormous changes to the pronunciation of the language in the intervening years.
After his mother was k**led by Nazis in 1941, he joined the French resistance at age 17. He spend most of World War 2 in an underground laboratory in Paris forging passports. He is estimated to ...
Sylvius used the circumflex to indicate so-called "false diphthongs".Early modern French as spoken in Sylvius' time had coalesced all its true diphthongs into phonetic monophthongs; that is, a pure vowel sound, one whose articulation at both beginning and end is relatively fixed, and which does not glide up or down towards a new position of articulation.