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Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
Four-voice texture in the Genevan psalter: Old 124th. [1] Play ⓘ. Four-part harmony is music written for four voices, or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each chord of the music.
In choral musical notation, TTBB denotes a four-part lower-voice choir. Composed of tenors and basses , Its configuration is Tenor 1, Tenor 2 (or lead), Bass 1 (or Baritone ), and Bass 2. Typically (but not always) one of the Tenor parts is the melody, with the other parts as harmony(s).
The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir" of Bach's Wachet auf, ruft uns die Stimme, BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. [5] "
In music, one voice per part (OVPP) is the practice of performing choral music with a single voice on each vocal line. In the specific context of Johann Sebastian Bach 's works it is also known as the Rifkin hypothesis , set forth in Joshua Rifkin 's 1982 article and expanded in Andrew Parrott 's book The Essential Bach Choir . [ 1 ]
Ave Maria is a 1964 motet by Franz Biebl, composed for double choir, a large four-part choir and a three-part choir which can be performed by soloists.It is a setting of part of the Latin liturgical Angelus prayer, which contains the Ave Maria (Hail Mary) as a refrain.
The work features four vocal soloists who represent allegorical figures: Bellona , Pallas , Irene , and Fama . It is further scored for four-part choir (SATB) and a Baroque instrumental ensemble of three trumpets (Tr), timpani, two flutes (Ft), two oboes (Ob), oboe d'amore (Oa), two violins (Vl), viola (Va) and basso continuo.
Its origins are varied, including 4-part hymn singing, shape note singing, barbershop quartets, jubilee songs, spirituals, and other Gospel songs. Gospel quartets sing in four-part harmony , with parts given to a tenor , or highest part; lead, which usually takes the melody ; baritone , which blends the sounds and adds richness; and the bass ...