Ad
related to: ts eliot the wasteland sparknotes chapter
Search results
Results From The WOW.Com Content Network
While living in London Eliot became acquainted with literary figures, most notably Pound in 1914, who would help publish Eliot's work and edit The Waste Land. [25] Eliot also met Aldous Huxley and Katherine Mansfield, as well as members of the Bloomsbury Group, in London in 1916, although he did not meet Leonard and Virginia Woolf until two ...
T. S. Eliot in 1920, in a photo taken by Lady Ottoline Morrell. In 1925, Eliot became a poetry editor at the London publishing firm of Faber and Gwyer, Ltd., [4]: pp.50–51 after a career in banking, and subsequent to the success of his earlier poems, including "The Love Song of J. Alfred Prufrock" (1915), "Gerontion" (1920) and "The Waste Land" (1922). [5]
Thomas Stearns Eliot OM (26 September 1888 – 4 January 1965) was a poet, essayist and playwright. [1] He was a leading figure in English-language Modernist poetry where he reinvigorated the art through his use of language, writing style, and verse structure.
Eliot sent Pound the manuscript of The Waste Land in 1922. Pound edited it with comments like "make up yr. mind", [202] and reduced it by about half. Eliot wrote in 1946: "I should like to think that the manuscript, with the suppressed passages, had disappeared irrecoverably; yet, on the other hand, I should wish the blue pencilling on it to be ...
Consider Phlebas is Banks's first published science fiction novel, and takes its title from a line in T. S. Eliot's poem The Waste Land. A subsequent Culture novel, Look to Windward (2000), whose title comes from the previous line of the same poem, can be considered a loose follow-up.
The book derives its title from the T. S. Eliot 1922 poem The Waste Land, several lines of which are reprinted in the opening pages. In addition, the two main sections of the book ("Jake: Fear in a Handful of Dust" and "Lud: A Heap of Broken Images") are named after lines in the poem.
Two years after it was published, Eliot considered including the poem as a preface to The Waste Land, but was talked out of this by Ezra Pound. [3] Along with " The Love Song of J. Alfred Prufrock " and The Waste Land , and other works published by Eliot in the early part of his career, '"Gerontion" discusses themes of religion, sexuality , and ...
Tiresias is featured in T. S. Eliot's poem The Waste Land (Section III, The Fire Sermon) and in a note Eliot states that Tiresias is "the most important personage in the poem, uniting all the rest." [25] Tiresias appears in Three Cantos III (1917) and cantos I and 47 in the long poem The Cantos by Ezra Pound. [26] [27]