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Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. Swing bands usually featured soloists who would improvise on the melody over the arrangement.
He also played a key role in bringing improvisatory jazz styles from New Orleans and other areas of the country to New York, where they merged with a dance-band tradition that relied heavily on arrangements written out in musical notation. [22] Henderson created a band that was capable of playing dance music and complex arrangements.
From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His concert at Carnegie Hall in New York City on January 16, 1938, is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music." [1]
On the other hand, the easy melodic quality and clean intonation of Goodman's band made it possible to "sell" jazz to a mass audience.[4] The swing era brought to swing music Louis Armstrong, Billie Holiday, and by 1938 Ella Fitzgerald. Armstrong, who had heavily influenced jazz as its greatest soloist in the 1920s when working with both small ...
Swing jazz emerged as a dominant form in American music, in which some virtuoso soloists became as famous as the band leaders. Key figures in developing the "big" jazz band included bandleaders and arrangers Count Basie, Cab Calloway, Jimmy and Tommy Dorsey, Duke Ellington, Benny Goodman, Fletcher Henderson, Earl Hines, Glenn Miller, and Artie Shaw.
The name given to the renewed interest in swing music from the 1930s and 40s. Many neo-swing bands practiced contemporary fusions of swing, jazz, and jump blues with rock, punk rock, ska, and ska punk music or had roots in punk, ska, ska punk, and alternative rock music. 1990s -> Jazz noir [4] A form of slow or erratic contemporary jazz.
The band's music is a fusion of Delta blues, gypsy jazz, 1930s–era swing, klezmer, and other styles. [1] They found commercial success during the swing revival of the late 1990s with their 1996 single "Hell", written by Tom Maxwell. After a hiatus of several years, the original band members reunited and performed in 2007, playing in the U.S ...
All significantly influenced the development of big band-style swing jazz. [41] By 1930, the New Orleans-style ensemble was a relic, and jazz belonged to the world. [42] Several musicians grew up in musical families, where a family member would often teach how to read and play music.