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Thinner tapes with thicknesses of 18 μm, fitting 3,600 feet (1,100 m) on a seven-inch reel and 1,800 feet (550 m) on a five-inch reel were known as triple-play tapes. [1] Triple-play tape was too fragile for many tape decks to safely rewind even on a seven-inch reel, and was more commonly used on five-inch- and smaller reels.
A cassette deck is a type of tape machine for playing and recording audio cassettes that does not have a built-in power amplifier or speakers, and serves primarily as a transport. It can be a part of an automotive entertainment system, a part of a portable audio system or a part of a home component system .
The Nakamichi Dragon is an audio cassette deck that was introduced by Nakamichi in 1982 and marketed until 1994. The Dragon was the first Nakamichi model with bidirectional [a] replay capability and the world's first production tape recorder with an automatic azimuth correction system; this feature, which was invented by Philips engineers and improved by Niro Nakamichi, continuously adjusts ...
The result was the 3M Digital Audio Mastering System, which consisted of a 32-track deck (16-bit, 50 kHz audio) running 1-inch tape and a 4-track, 1/2-inch mastering recorder. 3M's 32-track recorder was priced at $115,000 in 1978 (equivalent to $537,000 in 2023).
Remanence of audio tapes, referred to quarter-inch tape width, varies from around 1100 G for basic ferric tapes to 3500 G for Type IV tapes; [5] advertised remanence of the 1986 JVC Type IV cassette reached 4800 G. [6] Coercivity is a measure of the external magnetic flux required to magnetize the tape, and an indicator of the necessary bias level.
Studer AG, a privately owned Swiss manufacturer of professional audio equipment, began development of high fidelity cassette recorders in late 1970s. Willi Studer was reluctant to diversify into the highly competitive cassette deck market; for most of the decade, the company's experience in cassette technology was limited to reliable but low-fidelity classroom equipment.