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  2. Headroom (audio signal processing) - Wikipedia

    en.wikipedia.org/wiki/Headroom_(audio_signal...

    In digital and analog audio, headroom refers to the amount by which the signal-handling capabilities of an audio system can exceed a designated nominal level. [1] Headroom can be thought of as a safety zone allowing transient audio peaks to exceed the nominal level without damaging the system or the audio signal, e.g., via clipping.

  3. Alpine Electronics - Wikipedia

    en.wikipedia.org/wiki/Alpine_Electronics

    Alpine was one of the first in the industry to introduce in-vehicle iPod devices to allow users to control iPod playback using the head unit's front panel buttons or remote; view song information (artist, album and/or song name) on the display; and easily search for songs through the receiver's Quick Search interface.

  4. Category:Audio engineering - Wikipedia

    en.wikipedia.org/wiki/Category:Audio_engineering

    Inertial audio effects controller; Instantaneous phase and frequency; Institute of Professional Sound; Interaural time difference; International Association of Sound and Audiovisual Archives; International Conference on Digital Audio Effects; IRENE (technology) ITU-R 468 noise weighting

  5. Naim Audio amplification - Wikipedia

    en.wikipedia.org/wiki/Naim_Audio_amplification

    A Naim Audio system rack. Naim Audio is a specialist British manufacturer of high-end audio amplifiers well known for their self described qualities of "pace, rhythm and timing". [1] [2] The company has a sui generis approach to audio design, ignoring specifications and power ratings as indicators of the quality of an amplifier.

  6. RCA Dimensia - Wikipedia

    en.wikipedia.org/wiki/RCA_Dimensia

    Also released in 1987 for the second generation Dimensia system and for the Digital Command Component System were the MPA-100 and MPA-120 amplifiers; released to replace the MSA-100 and MSA-200, respectively. In 1987, RCA released the MSP400 for the second-generation Dimensia audio system, an early Dolby Pro Logic surround sound decoder. [9]

  7. Dynamic range - Wikipedia

    en.wikipedia.org/wiki/Dynamic_range

    Digital audio with undithered 20-bit quantization is theoretically capable of 120 dB dynamic range, while 24-bit digital audio affords 144 dB dynamic range. [6] Most Digital audio workstations process audio with 32-bit floating-point representation which affords even higher dynamic range and so loss of dynamic range is no longer a concern in ...