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"New York State of Mind" is a song written by Billy Joel that is featured on his fourth studio album, Turnstiles (1976). Although it was never released as a single, it has become a fan favorite and a song that Joel plays regularly in concert. [ 3 ]
Evolution features three cover versions: the James Taylor song "Don't Let Me Be Lonely Tonight", Billy Joel's "New York State of Mind" and Ivan Lins' "Evolution". Adams wrote six of the twelve album tracks, and it also features a song written by songwriter Diane Warren .
American composers of this music, with some of their most well known compositions, include: [15] Alexander Peloquin, 1918–1997. He composed the first Mass setting sung in English, and had over 150 published Masses and other pieces. Miguel del Aguila, b. 1957. Several Mass settings, Ave Maria, Salva me, Agnus Dei, Requiem Mass.
Done in the style of a telethon, it featured a number of national and international entertainers performing to raise money for the victims and their families, particularly the New York City firefighters and New York City police officers. It aired September 21, 2001, uninterrupted and commercial-free, for which it won a Peabody Award. [1]
State of Mind (1990) Number 7 (1991) State of Mind is the sixth album by American contemporary gospel music group Commissioned, released in 1990 on Benson Records. It ...
"N.Y. State of Mind" is a song by hip hop recording artist Nas from his debut studio album Illmatic (1994). The song's production was handled by DJ Premier who sampled two jazz songs: "Mind Rain" by Joe Chambers and "Flight Time" by Donald Byrd. [1] Premier additionally scratched up vocal samples from Eric B. & Rakim's "Mahogany" for the song's ...
State of Mind (Raul Midón album), or the title song, 2005; A State of Mind, by E.M.D., 2008; State of Mind, or the title song, by Dizzy Wright, 2014; State of Mind EP, by Clockwork Radio, or the title song, 2010; State of Mind, by the Faim, 2019; State of Mind, by Kary Ng, 2014; State of Mind, by Lovex, 2013; State of Mind, by Wave, 2002
Blues music came to New York in the early 1900s as a slower and rather sad form of music. The term blues comes from the phrase “I'm feeling blue,” as in sad or down in one way or another. Blues Came to New York and very quickly gained a feeling of Jazz and became a form of music that is a tad up-tempo in comparison to its slow rural relative.