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Advanced Placement (AP) Art History (also known as APAH) is an Advanced Placement art history course and exam offered by the College Board in the United States.. AP Art History is designed to allow students to examine major forms of artistic expression relevant to a variety of cultures evident in a wide variety of periods from the present to the past.
Purdue University prohibits students soliciting answers using Chegg's homework help: "While Chegg can be helpful to access textbooks and more practice problems, using this resource to find assignment answers is considered academic dishonesty because it is a form of copying and plagiarism.". [55]
Smarthistory provides essays, videos, photographs, and links to additional resources for all of the art and architecture that make up the AP art history curriculum. [ 9 ] [ 10 ] Smarthistory has published more than 880 videos and 2,000 essays on art and cultural history from the Paleolithic era to the 21st century that include the art of Africa ...
AP 3-D Art and Design is a three-dimensional (3-D) art course that holds many similarities to the 2-D course. The course deals with 3-D artistic applications such as metalworking, sculpture, computer models, and ceramics. Like AP Studio Art 2D, the focus is on the design of the artwork itself as opposed to its composition.
Anamorphic street art by Manfred Stader. While not as widespread in contemporary art, anamorphosis as a technique has been used by contemporary artists in painting, photography, printmaking, sculpture, film and video, digital art and games, holography, [1] street art and installation. The latter two art forms are largely practised in public ...
Need to incorporate recent (2015-2016) changes: AP® Art History Course and Exam Description. I added 2016 article from The Atlantic, but no time for revising detailed breakdown. -- Paulscrawl 02:54, 5 August 2016 (UTC)
In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a style restricted to a few of the small cities of the period, to important monasteries , as well ...
By the mid-19th-century painters became liberated from the demands of their patronage to only depict scenes from religion, mythology, portraiture or history. The idea "art for art's sake" began to find expression in the work of painters like Francisco de Goya, John Constable, and J.M.W. Turner.