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Bellarmine, Robert (1847). The Art of Dying Well. Translated by John Dalton. London: Richardson and Son. PDF File. Archived from the original on 2008-12-18. Bellarmine, Robert (2008). The Art of Dying Well. Read by Maureen O'Brien. Audiobook. On Internet Archive. Bellarmine, Robert (n.d.). The Eternal Happiness of the Saints. London: Richardson ...
The Ars moriendi ("The Art of Dying") are two related Latin texts dating from about 1415 and 1450 which offer advice on the protocols and procedures of a good death, explaining how to "die well" according to Christian precepts of the late Middle Ages.
The Art of Dying Well, (1847) translated from the Latin of Robert Bellarmine. The Life of St. Winifrede, translated from a MS. Life of the Saint in the British Museum, with an account of some miraculous cures effected at St. Winifrede's Well, Lond. 1857. The Life of Cardinal Ximenez, Lond. 1860, translated from the German of Karl Josef von Hefele.
Hardouin ascribed a similar origin to Bellarmine's devotional works On the Eternal Felicity of the Saints, The Groaning of the Dove, The Mind's Ascent to God, The Seven Words of the Lord, and The Art of Dying Well, as well as the hymn Pater superni luminis, and he also denied the authenticity of Bellarmine's Controversies on the Sacraments. [58]
Bellarmine, Robert (1847). The Art of Dying Well . Translated by John Dalton. Richardson and Son. The manual of the Bona Mors confraternity. Apostleship of Prayer. 1896. Daughters of Charity of St. Vincent de Paul. (1856). "Devotion of Bona Mors" . St. Vincent's Manual. John Murphy & Co. Moran, Patrick Francis (1883). "Litany for a Happy Death" .
Bellarmine, Robert (1847). "The fourteenth precept, on the sacrament of Holy Orders" . The Art of Dying Well. Translated by John Dalton. Richardson and Son. Bray, Gerald L. Sacraments & Ministry in Ecumenical Perspective, in series, Latimer Studies, 18. Oxford, Eng.: Latimer House, 1984. ISBN 0-946307-17-2
The Bust of Cardinal Roberto Bellarmine is a half-length portrait of Saint Robert Bellarmine by the Italian artist Gian Lorenzo Bernini. It was executed in the years 1621–1624, and unveiled in August 1624. It sits in the Chiesa del Gesù, Rome. [1] [2] It was commissioned by Pope Gregory XV and Cardinal Odoardo Farnese after
Disputationes de Controversiis Christianae Fidei adversus hujus temporis Haereticos ('Disputations on the Controversies of the Christian Faith against the Heretics of this Time'), usually referred to as Disputationes, De Controversiis or Controversiae, is a work on dogmatics in three volumes by Robert Bellarmine.