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The primary medium of Nanyang Style is Chinese ink and colour, or oil on canvas. A simple use of colours and lines is similar to those of post-Impressionists, such as Vincent van Gogh. The art style reflects the universal culture of migrants, who in this case adapted to and accepted a new mix of Western, Chinese and Eastern beliefs and practices.
The Lingnan School (traditional Chinese: 嶺南畫派; simplified Chinese: 岭南画派; pinyin: Lǐngnán huà pài) was an art movement active in the late Qing dynasty and Republic of China that sought to modernize Chinese painting through borrowing from other artistic traditions.
New forms of Chinese art were heavily influenced by the New Culture Movement, which adopted Western techniques and employed socialist realism. The Cultural Revolution would shape Chinese art in the 20th century like no other event in history with the Four Olds destruction campaign. Contemporary Chinese artists continue to produce a wide range ...
The members of the Fifth Moon Group studied western art movements, and concluded that the abstract art form was the best medium for modern Chinese art. They felt the best the Chinese paintings were ones that de-emphasized realistic representation, and emphasized atmosphere and "vividness", which comes from the brush strokes and the natural ...
Singaporean art includes the sculptural, textile, and decorative art traditions of the Malay world; portraiture, landscapes, sculpture, printmaking, and natural history drawings from the country's British colonial period; along with Chinese-influenced Nanyang style paintings, social realist art, abstract art, and photography practices emerging ...
Chinese street performers seen by Johan Nieuhof in 1655–57. Chinese performing arts have a long history. Variety show is known to existed as early as the Qin dynasty (221–207 BC) or possibly earlier. During the Qin and Han periods, Juedi (角抵) or Baixi (百戲) variety show was popular with the common people.
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The Six principles of Chinese painting were established by Xie He in "Six points to consider when judging a painting" (繪畫六法, Pinyin:Huìhuà Liùfǎ) from the preface to his book The Record of the Classification of Old Painters (古畫品錄; Pinyin: Gǔhuà Pǐnlù) written circa 550 and refers to "old" and "ancient" practices. The six ...