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In her earliest recordings, Anita O'Day was the featured vocalist with the big bands of Gene Krupa (1941-1942 and 1945-1946) and Stan Kenton (1944). In the 1940s, Columbia and Capitol Records released the recordings of Krupa and Kenton, respectively, on 78 rpm disks with one song per side.
Anita O'Day. Anita Belle Colton (October 18, 1919 [1] – November 23, 2006), [2] known professionally as Anita O'Day, was an American jazz singer and self proclaimed “song stylist” widely admired for her sense of rhythm and dynamics, and her early big band appearances that shattered the traditional image of the "girl singer".
Anita Sings the Most was released by Verve Records. [2] Jazz: The Rough Guide identified the album as one that shows O'Day's "rhythmic invention and accuracy". [3] The AllMusic reviewer wrote: "The very brief playing time (just 33 minutes) is unfortunate on this set, but the high quality definitely makes up for the lack of quantity.
Anita O'Day Swings Cole Porter with Billy May. (1959) Anita O'Day and Billy May Swing Rodgers and Hart. (1960) Waiter, Make Mine Blues. (1961) Anita O'Day and Billy May Swing Rodgers and Hart is a 1960 studio album by American jazz singer Anita O'Day, arranged by Billy May. O'Day and May had previously recorded an album dedicated to a single ...
Richard S. Ginell reviewed the reissue of the album for Allmusic and wrote that on the album O'Day was "served with a collection of brilliant, difficult big-band charts, courtesy of a 27-year-old emerging master named Gary McFarland who mixed instrumental voices and tempo changes in querulous, turbulent combinations" and highlighted "You Came a Long Way From St. Louis" as being "enlivened with ...
Professional ratings. Anita O'Day Swings Cole Porter with Billy May is a 1959 studio album by Anita O'Day, of songs written by Cole Porter arranged by Billy May. [4] O'Day and May recorded another album dedicated to a single composer, Richard Rodgers, in 1960.
Waiter, Make Mine Blues is a vocal jazz album by Anita O'Day released in April 1961 on Verve Records. This was the tenth record that Anita O'Day made for Norman Granz 's Verve records. It was recorded in 1960 on August 1, October 4 and October 7 in Los Angeles, California. [ 1][ 2] Arranged by Russ Garcia, the record has been described as ...
The Allmusic review by Bruce Eder stated: "This strange (and strangely compelling) album is the most controversial of all O'Day's Verve Records releases, popular among O'Day's hardcore fans for the showcase that the Three Sounds' near-minimalist accompaniment affords her singing ... while O'Day sings five songs.