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Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century.
Antwerp Mannerism. Antwerp Mannerism is the name given to the style of a group of largely anonymous painters active in the Southern Netherlands and principally in Antwerp in roughly the first three decades of the 16th century, a movement marking the tail end of Early Netherlandish painting, and an early phase within Dutch and Flemish ...
Northern Mannerism is the form of Mannerism found in the visual arts north of the Alps in the 16th and early 17th centuries. [ 1 ] Styles largely derived from Italian Mannerism were found in the Netherlands and elsewhere from around the mid-century, especially Mannerist ornament in architecture; this article concentrates on those times and ...
480 cm × 360 cm (190 in × 140 in) Location. Iglesia de Santo Tomé, Toledo. The Burial of the Count of Orgaz (Spanish: El Entierro del Conde de Orgaz) is a 1586 painting by El Greco, a prominent Renaissance painter, sculptor, and architect of Greek origin. Widely considered among his finest works, it illustrates a popular local legend of his ...
Movement. Mannerism. Jacopo Carucci or Carrucci (IPA: [ˈjaːkopo ka (r)ˈruttʃi]; May 24, 1494 – January 2, 1557), usually known as Jacopo (da) Pontormo or simply Pontormo (IPA: [ponˈtormo]), was an Italian Mannerist painter and portraitist from the Florentine School. His work represents a profound stylistic shift from the calm ...
M. Madonna of the Basket (Correggio) Madonna with the Long Neck. Marie Madeline and Her Son. Moses Striking the Rock.
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Mannerism differed from the Renaissance art in attraction to "not naturalistic abstraction". It was a continuation of artistic innovation in the late Middle Ages—art embodying ideas. According to G. Hocke, in consciousness there is concetto—the concept of a picture or a picture of the concept, an intellectual prototype.