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Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival, [1][2] but the existence of important Baroque art and architecture in non-absolutist and Protestant states throughout Western Europe underscores its widespread popularity.
The Baroque (UK: / bəˈrɒk / bə-ROK, US: /- ˈroʊk / -ROHK; French: [baʁɔk]) is a Western style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. [ 1 ] It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as ...
Italian Baroque. The Church of Sant'Andrea al Quirinale, designed by Gian Lorenzo Bernini. Italian Baroque (or Barocco) is a stylistic period in Italian history and art that spanned from the late 16th century to the early 18th century.
Signature. Sir Peter Paul Rubens (/ ˈruːbənz / ROO-bənz; [ 1 ]Dutch: [ˈrybə (n)s]; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat. [ 2 ] He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history.
Italian Baroque art. Artemisia Gentileschi, Judith Slaying Holofernes, 1614–20, Oil on canvas 199 x 162 cm, Uffizi, Florence. Italian Baroque art is a term that is used here to refer to Italian painting and sculpture in the Baroque manner executed over a period that extended from the late sixteenth to the mid eighteenth centuries. [1]
Diego Velázquez. Diego Rodríguez de Silva y Velázquez, [a][b] (baptized 6 June 1599 – 6 August 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He was an individualistic artist of the Baroque period (c. 1600–1750). He began to paint in a precise tenebrist ...
Baroque sculpture is the sculpture associated with the Baroque style of the period between the early 17th and mid 18th centuries. In Baroque sculpture, groups of figures assumed new importance, and there was a dynamic movement and energy of human forms—they spiralled around an empty central vortex, or reached outwards into the surrounding space.
Claude Lorrain (French: [klod lɔ.ʁɛ̃]; born Claude Gellée [ʒəle], called le Lorrain in French; traditionally just Claude in English; c. 1600 – 23 November 1682) was a French painter, draughtsman and etcher of the Baroque era. He spent most of his life in Italy, and is one of the earliest important artists, apart from his contemporaries ...