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The Gleaners and I (French: Les glaneurs et la glaneuse, lit. "The gleaners and the female gleaner") is a 2000 French documentary film by Agnès Varda that features various kinds of gleaning . It screened out of competition at the 2000 Cannes Film Festival ("Official Selection 2000"), and later went on to win awards around the world.
After nearly two years of planning, the digital platform “The Gleaners and I: Revisiting Agnès Varda’s Edit” is about to go live. Supported by Martin Scorsese, the pedagogical platform will ...
The Gleaners (Des glaneuses) is an oil painting by Jean-François Millet completed in 1857. It is held in the Musée d'Orsay, in Paris. It depicts three peasant women gleaning a field of stray stalks of wheat after the harvest. The painting is famous for featuring in a sympathetic way what were then the lowest ranks of rural society; it was ...
In Agnès Varda's documentary The Gleaners and I, Pons explains his artistic process and understanding of art; what others see as "a cluster of junk," he sees as "a cluster of possibilities;" [2] and that the function of art is to tidy up one's inner and exterior worlds. [1] Pons was born on 30 April 1927. [3]
Agnès Varda (French: [aɲɛs vaʁda] ⓘ; born Arlette Varda; 30 May 1928 – 29 March 2019) was a Belgian-born French film director, screenwriter and photographer. [1]Varda's work employed location shooting in an era when the limitations of sound technology made it easier and more common to film indoors, with constructed sets and painted backdrops of landscapes, rather than outdoors, on ...
The Gleaners (French: Les Glaneurs) is an oil-on-canvas painting by Jules Breton, from 1854. The painting depicts an idealized version of peasant life. It is held in the National Gallery of Ireland, in Dublin. [1]
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Gleaner Life Insurance Society is a member-owned, nonprofit fraternal benefit society. It was established in 1894 and its home office is in Adrian at 5200 W. U.S. 223.