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  2. Free time (music) - Wikipedia

    en.wikipedia.org/wiki/Free_time_(music)

    Free time is a type of musical anti-meter free from musical time and time signature. It is used when a piece of music has no discernible beat. Instead, the rhythm is intuitive and free-flowing. In standard musical notation, there are seven ways in which a piece is indicated to be in free time: There is simply no time signature displayed.

  3. Metric modulation - Wikipedia

    en.wikipedia.org/wiki/Metric_modulation

    Perspectives of New Music 26, no. 2: (Summer): 164–203. Braus, Ira Lincoln (1994). "An Unwritten Metrical Modulation in Brahms's Intermezzo in E minor, op. 119, no. 2". Brahms Studies 1:161–169. Everett, Walter (2009). "Any Time at All: The Beatles' Free Phrase Rhythms". In The Cambridge Companion to the Beatles, edited by Kenneth Womack ...

  4. Time signature - Wikipedia

    en.wikipedia.org/wiki/Time_signature

    Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...

  5. Audio time stretching and pitch scaling - Wikipedia

    en.wikipedia.org/wiki/Audio_time_stretching_and...

    For the specific case of speech, time stretching can be performed using PSOLA. Time-compressed speech is the representation of verbal text in compressed time. While one might expect speeding up to reduce comprehension, Herb Friedman says that "Experiments have shown that the brain works most efficiently if the information rate through the ears ...

  6. MIDI beat clock - Wikipedia

    en.wikipedia.org/wiki/MIDI_beat_clock

    SPP can be used in conjunction with the above real-time messages for complete sync. This message consists of 3 bytes; a status byte (decimal 242, hex 0xF2), followed by two 7-bit data bytes (least significant byte first) forming a 14-bit value that specifies the number of "MIDI beats" (1 MIDI beat = a 16th note = 6 clock pulses) since the start ...

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