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On June 15, 2007, "White & Nerdy" was certified gold—his first gold single since "Eat It" in 1984—and on January 31, 2008, the single was certified platinum for selling over 1,000,000 copies, making this the first time that Yankovic had ever achieved this level of certification. In addition, the ringtone for "White & Nerdy" was certified gold.
"White & Nerdy" is the second single from "Weird Al" Yankovic's album Straight Outta Lynwood, which was released in 2006. It parodies the song " Ridin' " by Chamillionaire and Krayzie Bone . The song both satirizes and celebrates nerd culture, as recited by the subject, who cannot "roll with the gangstas " because he is "just too white and nerdy ".
In 1989, Yankovic starred in a full-length feature film, co-written by himself and manager Jay Levey, and filmed in Tulsa, Oklahoma, called UHF.A satire of the television and film industries, also starring Michael Richards, Fran Drescher, and Victoria Jackson, it brought floundering studio Orion their highest test scores since the movie RoboCop. [3]
The new film on the life of the “White and Nerdy” musician parodies clichéd biopics but dodges thornier questions about him as a cultural phenomenon. 'Weird: The Al Yankovic Story' Lacks An ...
Whereas most installments of the VH1 series are laden with drama and drug use, Weird Al’s is about a smart boy w Daniel Radcliffe’s ‘Weird Al’ Biopic Is Not Nearly Weird Enough Skip to ...
"Weird," to its great credit, is a comedy that salutes, skewers, and completely understands the not merely silly but goofball scandalous nature of the celebrity of "Weird Al" Yankovic.
Eat It" was also aided by the first of Yankovic's Al TV specials that aired on MTV on April 1, 1984, the network looking to Yankovic's rising popularity to help fill its programming time. [17] Peaking at No. 12 on the Billboard Hot 100 on April 14, 1984, [ 33 ] "Eat It" remained Yankovic's highest-charting single until " White & Nerdy " placed ...
Weird: The Al Yankovic Story is a 2022 American biographical musical parody film directed by Eric Appel, in his feature directorial debut, from a screenplay he co-wrote with Al Yankovic. [2] The film is a satire on musical biopics and is loosely based on Yankovic's life and career as an accordionist and parody songwriter .