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It is a modern equivalent of the slide projector or overhead projector. To display images, LCD (liquid-crystal display) projectors typically send light from a metal-halide lamp through a prism or series of dichroic filters that separates light to three polysilicon panels – one each for the red, green and blue components of the video signal ...
This list includes both CD, DVD and Blu-ray recordable and rewritable media manufacturers (like Ritek), and disc replicators (companies that replicate discs with pre-recorded content, like Sony DADC).
A three-chip DLP projector uses a prism to split light from the lamp, and each primary color of light is then routed to its own DMD chip, then recombined and routed out through the lens. Three chip systems are found in higher-end home theater projectors, large venue projectors and DLP Cinema projection systems found in digital movie theaters.
The light source is used to provide the necessary illumination for the LCos panel. The most common light source used in LCos display systems is a high-intensity lamp. This lamp emits a broad spectrum of light that is filtered through a color wheel or other optical components to provide the necessary color gamut for the display system.
Light from the lamp, usually a Xenon arc lamp similar to those used in film projectors with a power between 1 kW and 7 kW, is split by colored filters into red, green and blue beams which are directed at the appropriate DMD. The 'forward' reflected beam from the three DMDs is then re-combined and focused by the lens onto the cinema screen.
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Liquid Light is a New Jersey–based company that develops and licenses electrochemical process technology to make chemicals from carbon dioxide (CO 2). [1] [2] The company has more than 100 patents and patent applications for the technology that can produce multiple chemicals such as ethylene glycol, propylene, isopropanol, methyl-methacrylate and acetic acid.
A darker (grey) screen reflects less light, of course—both light from the projector and ambient light. This decreases the luminance (brightness) of both the projected image and ambient light, so while the light areas of the projected image are dimmer, the dark areas are darker; white is less bright, but intended black is closer to actual black.
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