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Goethe's Ankunft im Elysia by Franz Nadorp. Elysium (/ ɪ ˈ l ɪ z i. ə m, ɪ ˈ l ɪ ʒ ə m / [1]), otherwise known as the Elysian Fields (Ancient Greek: Ἠλύσιον πεδίον, Ēlýsion pedíon), Elysian Plains or Elysian Realm, is a conception of the afterlife that developed over time and was maintained by some Greek religious and philosophical sects and cults.
The mythology of Indonesia is very diverse, the Indonesian people consisting of hundreds of ethnic groups, each with their own myths and legends that explain the origin of their people, the tales of their ancestors and the demons or deities in their belief systems. The tendency to syncretize by overlying older traditions with newer foreign ...
Indonesia portal Mythology portal: Indonesia is home to over 600 ethnic groups, [1] some who have their own belief system and mythology.
The following is a list of gods, goddesses, and many other divine and semi-divine figures from ancient Greek mythology and ancient Greek religion. Major deities The Greeks created images of their deities for many purposes.
The Greek god Zeus and the Roman god Jupiter both appear as the head gods of their respective pantheons. [ 121 ] [ 113 ] * Dyḗws Ph₂tḗr is also attested in the Rigveda as Dyáus Pitā , a minor ancestor figure mentioned in only a few hymns, and in the Illyrian god Dei-Pátrous , attested once by Hesychius of Alexandria . [ 122 ]
In Greek and Roman mythology, *Dyēus was the chief god, while the etymological continuant of Dyēus became a very abstract god in Vedic mythology, and his original prominence over other gods largely diluted.
The culture of Indonesia (Indonesian: Budaya Indonesia) has been shaped by the interplay of indigenous customs and diverse foreign influences. With over 600 distinct ethnic groups , including significant Austronesian and Melanesian cultures, contributing to its rich traditions, languages , and customs, Indonesia is a melting pot of diversity.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.