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Ohara Koson (also Ohara Hōson, Ohara Shōson) (Kanazawa 1877 – Tokyo 1945) was a Japanese painter and woodblock print designer of the late 19th and early 20th centuries, at the forefront of shinsaku-hanga and shin-hanga art movements. [1] Ohara Koson was famous as a master of kachō-e (bird-and-flower) designs. Throughout a prolific career ...
Geese in Flight, watercolor/pencil on paper: color image: 1923: 19.7 in x 13.8 in (50 cm x 35.1 cm) Scene: Canada geese (2) in flight. Great White Herons, etching: 1923: Pennsylvania Academy of the Fine Arts, Philadelphia, PA: Benson, adept at capturing light in his paintings, demonstrates that skill in the creation of the etching Great White ...
Ōkyo's painting style merged a tranquil version of Western naturalism with the Eastern decorative painting of the Kanō school. [13] His works show a Western understanding of highlight and shadow. [13] His realism differed from previous Japanese schools in its devotion to nature as the ultimate source with no regard for sentiment.
Cranes regularly appear in Chinese arts such as paintings, tapestry, and decorative arts; they are also often depicted carrying the souls of the deceased to heaven. [2] The crane is the second most important bird after the fenghuang, the symbol of the empress, in China. [4]: 108
The painting is entitled Barrack 9, Apt. 6, San Bruno, California. [25] While interned in Tanforan and Topaz, Hibi created seventy-two paintings and taught classes in drawing, painting (oil and watercolor) and sculpture to students at the Topaz Art School, which was the resumption of the Tanforan Art School. [19]
Hondecoeter's paintings featured geese (brent goose, Egyptian goose and red-breasted goose), fieldfares, partridges, pigeons, ducks, northern cardinal, magpies and peacocks, but also African grey crowned cranes, Asian sarus cranes, Indonesian yellow-crested cockatoos, an Indonesian purple-naped lory and grey-headed lovebirds from Madagascar.