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"It's All Good'" is a blues song written by American singer-songwriter Bob Dylan (with Grateful Dead lyricist Robert Hunter) that appears as the 10th and final track on Dylan's 2009 studio album Together Through Life. Like much of Dylan's 21st century output, he produced the song himself using the pseudonym Jack Frost.
The Freewheelin' Bob Dylan: 1963: 1981 Give Him My All Dylan, Regina McCrary Unreleased N/A Recorded by the McCrary Sisters for their Our Journey album in 2010 1981 Glory of Love Dylan Unreleased N/A Instrumental outtake from Shot of Love: 1963: Go Away You Bomb: Dylan: Unreleased: N/A: Written in 1963, lyrics sheet sold in 2014 [47] N/A Go ...
Spectrum Culture included two of the album's tracks, "Jim Jones" and "Froggie Went a Courtin'" on a 2020 list of "Bob Dylan's 20 Best Songs of the 1990s". [22] NJArts' Jay Lustig wrote that Good as I Been to You is a "solid but not exactly essential addition to [Dylan's] catalog" and cited "You're Gonna Quit Me" as the highlight of the album. [23]
In 1961, 19-year-old Robert Allen Zimmerman dropped out of college in his native Minnesota, made a pilgrimage to New York City to meet his folk music idol Woody Guthrie, and decided to become, in ...
Bob Dylan was announced earlier this year as having written separate appreciations of more than 60 different songs for his forthcoming book, “The Philosophy of Modern Song.” Now, the names of ...
"All I Really Want to Do" is a song written by Bob Dylan and featured on his Tom Wilson-produced 1964 album, Another Side of Bob Dylan. [1] [2] It is arguably one of the most popular songs that Dylan wrote in the period immediately after he abandoned topical songwriting. [3]
James Mangold's new film "A Complete Unknown" reaches its climax when Bob Dylan (Timothée Chalamet) takes the stage at the 1965 Newport Folk Festival, drawing boos from the crowd and disgust from ...
Dont Look Back is a 1967 American documentary film directed by D. A. Pennebaker that covers Bob Dylan's 1965 concert tour in England.. In 1998, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being deemed "culturally, historically, or aesthetically significant".