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Flemish painting flourished from the early 15th century until the 17th century, gradually becoming distinct from the painting of the rest of the Low Countries, especially the modern Netherlands. In the early period, up to about 1520, the painting of the whole area is (especially in the Anglophone world) typically considered as a whole, as Early ...
Saint Giles and the Hind, (detail) (National Gallery, London). The Master of Saint Giles (French: Maître de Saint-Gilles) was a Franco-Flemish painter active, probably in Paris, about 1500, working in a delicate Late Gothic manner, with rendering of textures and light and faithful depictions of actual interiors that show his affinities with Netherlandish painting.
Profile Portrait of a Lady is oil on panel painting by an unknown Franco-Flemish artist, dated to about 1410. It is housed in the National Gallery of Art, Washington. [a]The woman is wearing an early form balzo headdress over her hair, which has been plucked above her forehead to the point at which the balzo rests.
Jan van Eyck, The Arnolfini Portrait, 1434, National Gallery, London Rogier van der Weyden, The Descent from the Cross, c. 1435, Museo del Prado, Madrid. Early Netherlandish painting is the body of work by artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. [1]
Jean-Baptiste Monnoyer [1] (12 January 1636 – 20 February 1699) was a Franco-Flemish painter who specialised in flower pieces. He was attached to the Gobelins tapestry workshops and the Beauvais tapestry workshops, too, where he produced cartoons of fruit and flowers for the tapestry-weavers, and at Beauvais was one of three painters [2] who collaborated to produce cartoons for the suite The ...
Working in a long and rich tradition of Franco-Flemish realist-genre painting (e.g., the Le Nain Brothers, Adriaen Brouwer) but also showing an awareness and influence of contemporaries like Honoré Daumier, Jean-François Millet, and Gustave Courbet, Rops was attracted to genre subjects throughout his life. Although represented in any number ...
Allegorical paintings by Flemish artists (11 P) * Early Netherlandish paintings (13 C, 8 P) Flemish Baroque paintings (6 C, 2 P)
This assistant artist has remained unidentified and was referred to by van der Meulen as 'mon homme' ('my man') without further specification. [10] Van der Meulen followed in 1673 Louis XIV during the Franco-Dutch War, accompanied by Jean Paul. The two artist made drawings of about 32 cities that were conquered by the French during the campaign.