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  2. Bernard Gitton - Wikipedia

    en.wikipedia.org/wiki/Bernard_Gitton

    Modern water clock by Bernard Gitton Bernard Gitton ( French pronunciation: [bɛʁnaʁ ʒitɔ̃] ); born 24 June 1935 [ 1 ] ) is a French physicist and artist who has built modern water clocks , fountains and other devices relating art and science.

  3. Clock (film) - Wikipedia

    en.wikipedia.org/wiki/Clock_(film)

    Clock is a 2023 American science fiction horror film written and directed by Alexis Jacknow in her feature-length debut, based on her 2020 short film of the same name. The film stars Dianna Agron . It was released on Hulu in the United States on April 28, 2023, and on Disney+ internationally.

  4. The Clock (1945 film) - Wikipedia

    en.wikipedia.org/wiki/The_Clock_(1945_film)

    Released on May 25, 1945, The Clock made a respectable profit but it was not as successful as Meet Me in St. Louis, released the previous year. The movie was well received by critics who favorably noted Garland's transformation into a mature actress. The New York Times; "A tender and refreshingly simple romantic drama. The atmosphere of the big ...

  5. The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.

  6. Water clock (Indianapolis) - Wikipedia

    en.wikipedia.org/wiki/Water_clock_(Indianapolis)

    The water clock was created by Bernard Gitton, a French physical chemist and artist who combines those two studies by creating water clocks, water calculators, fountains, and other items of art and science. Bernard began making items of artistic science in 1979, at the age of 43, when he left the world of research science to create scientific art.

  7. "The Brutalist," starring Adrien Brody, Felicity Jones, and Guy Pearce, is 3 hours and 35 minutes.. Over the last few years, blockbusters have become longer and longer. Three-hour movies are ...

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  9. The Clock (2010 film) - Wikipedia

    en.wikipedia.org/wiki/The_Clock_(2010_film)

    The Clock is a film by video artist Christian Marclay. It is a looped 24-hour video supercut ( montage of scenes from film and television) that feature clocks or timepieces. The artwork itself functions as a clock : its presentation is synchronized with the local time, resulting in the time shown in a scene being the actual time.