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Picturesque is an aesthetic ideal introduced into English cultural debate in 1782 by William Gilpin in Observations on the River Wye, and Several Parts of South Wales, etc. Relative Chiefly to Picturesque Beauty; made in the Summer of the Year 1770, a practical book which instructed England's leisured travellers to examine "the face of a ...
The look, after all, is about making a farmhouse aesthetic a bit more contemporary, so there's typically an even mix of more rustic and modern design elements. ... picturesque cabins in the woods ...
Claude glasses have the effect of reducing and simplifying the colour and tonal range of scenes and scenery to give them a painterly quality. The user would turn their back on the scene to observe the framed view through the tinted mirror — in a sort of pre-photographic lens — which added the picturesque aesthetic of a subtle gradation of ...
The notion of the picturesque: the term "picturesque" means "picture-like", where the natural world is experienced as if it is divided into art-like scenes [1] Objects experienced as beautiful tend to be small, smooth, and fair in color. [3]: 17–18 In contrast, objects viewed as sublime tend to be powerful, intense and terrifying. Picturesque ...
The Best Paints for a Quiet Luxury Aesthetic. When it comes to paint colors in particular, Perdue says you want to look for a palette with softer shades that create a sense of calm: A few of her ...
Gilpin's tour journals circulated in manuscript to friends such as the poet William Mason and a wider circle including Thomas Gray, Horace Walpole and King George III.In 1782, at Mason's instigation, Gilpin published Observations on the River Wye and several parts of South Wales, etc. relative chiefly to Picturesque Beauty; made in the summer of the year 1770 (London 1782).
World Atlas, a website publishing content about resources and entertainment on geography, has revealed nine of New York's most picturesque towns, including two within the Finger Lakes region.
German Romanticists (including philosopher and writer Goethe and architect Karl Friedrich Schinkel), began to appreciate the picturesque character of ruins—"picturesque" becoming a new aesthetic quality—and those mellowing effects of time that the Japanese call wabi-sabi and that Horace Walpole independently admired, mildly tongue-in-cheek ...