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The emperor Marcus Aurelius, rather than wear the "dress to which his rank entitled him" at his own salutationes, chose to wear a plain white citizen's toga instead; an act of modesty for any patron, unlike Caligula, who wore a triumphal toga picta or any other garment he chose, according to whim; or Nero, who caused considerable offence when ...
Bronze monument to Francis II, the last Holy Roman emperor, wearing a corona triumphalis and toga. The honours included the right to wear triumphal dress in public: the corona triumphalis (a gold coronet fashioned in the shape of a laurel wreath with dangling gold ribbons); an ivory baton; the tunica palmata (a tunic embroidered with palm-leaves); and the toga picta ("painted toga"), a toga ...
The toga was considered Rome's "national costume," privileged to Roman citizens but for day-to-day activities most Romans preferred more casual, practical and comfortable clothing; the tunic, in various forms, was the basic garment for all classes, both sexes and most occupations. It was usually made of linen, and was augmented as necessary ...
For most of Rome's history, the toga was a garment worn exclusively by men, but in and after the 1st century BC, women were expected to wear the stola. Non-citizens were forbidden to wear a toga. The toga was the earliest dress clothing of the Romans, a thick woollen cloak worn over a loincloth or apron. It was taken off indoors, or when hard ...
Like much in Roman culture, elements of the triumph were based on Etruscan and Greek precursors; in particular, the purple, embroidered toga picta worn by the triumphal general was thought to be derived from the royal toga of Rome's Etruscan kings. For triumphs of the Roman regal era, the surviving Imperial Fasti Triumphales are incomplete.
Caesar, riding in the chariot, wears the solid Tyrian purple toga picta. In the foreground, two Roman magistrates are identified by their toga praetexta, white with a stripe of Tyrian purple. Biological pigments were often difficult to acquire, and the details of their production were kept secret by the manufacturers.
The cult statue of Jupiter showed the god standing and wielding a thunderbolt, dressed in a tunica palmata (a tunic decorated with images of palm leaves), and the toga picta, dyed purple and bearing designs in gold thread. This costume became the standard dress for victorious generals celebrating a triumph.
The insignia of the kings of Rome were twelve lictors (attendants or servants) wielding the symbolic fasces bearing axes, the right to sit upon a curule seat, the purple toga picta, red shoes, and a white diadem around the head. Of all these insignia, the most important was the purple toga picta.