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D A D G A D, or Celtic tuning, is an alternative guitar tuning most associated with Celtic music, though it has also found use in rock, folk, metal and several other genres. Instead of the standard tuning ( E 2 A 2 D 3 G 3 B 3 E 4 ) the six guitar strings are tuned, from low to high, D 2 A 2 D 3 G 3 A 3 D 4 .
DAG was an American funk band from Raleigh, North Carolina that formed in 1989 and disbanded in 1999.. The band of singer and bassist Bobby Patterson, guitarist Brian Dennis, drummer Kenny Soule (from rock bands Nantucket and PKM) and keyboardist Doug Jervey had already earned many loyal listeners around their hometown over the next few years with their uncommonly 1970s wild funk persona; and ...
Righteous is the 1994 debut release by North Carolina funk band DAG. [ 1 ] [ 2 ] It was produced by John Custer . Muscle Shoals Rhythm Section drummer Roger Hawkins played on the album.
You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie, which at the time consisted entirely of founder Ben Gibbard.This demo was originally released on cassette by Elsinor Records.
Wig Out At Denko's is the second studio album by the American melodic hardcore band Dag Nasty, released in 1987 on Dischord Records. [2] [5] It was remastered and re-released on CD with bonus tracks in 2002. [6]
The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV: C–G–Am–F; V–vi–IV–I: G–Am–F–C
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
Initially, the band performed acoustic music, but on the recording of their only studio album, Sećanja (1974), they played electric instruments. The album, featuring poetic lyrics written by lyricist Marina Tucaković, was praised by the critics, but saw little commercial success, and Popović left the band, DAG ending their activity soon after.