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Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales, and occasional references ...
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales, and occasional references ...
Bebop musicians by instrument (13 C, 1 P) Pages in category "Bebop musicians" The following 11 pages are in this category, out of 11 total. This list may not reflect ...
Pages in category "Bebop singers" The following 14 pages are in this category, out of 14 total. This list may not reflect recent changes. C. Joe Carroll (singer)
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Christian was an important contributor to the music that became known as bop, or bebop. Some of the participants in early after-hours affairs at Minton's Playhouse , an after-hours club located in the Hotel Cecil at 210 West 118th Street in Harlem where bebop was born, credit Christian with the name bebop , citing his humming of phrases as the ...
He wrote a book of original exercises and études for jazz musicians, published later by Hal Leonard. A biography, titled The Musical World of J. J. Johnson, was published in 2000. On February 4, 2001, he died by a self-inflicted gunshot wound. [7] His funeral in Indianapolis drew jazz musicians, friends and family from around the country.
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) [1] was an American jazz pianist and composer.A pioneer in the development of bebop and its associated contributions to jazz theory, [2] Powell's application of complex phrasing to the piano influenced both his contemporaries and later pianists including Walter Davis Jr., Toshiko Akiyoshi, and Barry Harris.