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The Panchatantra is an ancient Sanskrit collection of stories, probably first composed around 300 CE (give or take a century or two), [1] though some of its component stories may be much older. The original text is not extant, but the work has been widely revised and translated such that there exist "over 200 versions in more than 50 languages."
The prelude narrates the story of how Vishnu Sharma supposedly created the Panchatantra. There was a king called Sudarshan [ citation needed ] who ruled a kingdom, whose capital was a city called Mahilaropya (महिलारोप्य), whose location on the current map of India is unknown. [ 9 ]
The Panchatantra (IAST: Pañcatantra, ISO: Pañcatantra, Sanskrit: पञ्चतन्त्र, "Five Treatises") is an ancient Indian collection of interrelated animal fables in Sanskrit verse and prose, arranged within a frame story. [2]
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It is based on the ancient Indian fable collection Panchatantra, attributed to Vishnu Sharma. [1] It features stories with animal characters that convey moral lessons, using traditional puppetry techniques alongside modern special effects. [2] The series, consisting of over 145 episodes, [3] was broadcast on Sundays from 9:00 AM to 9:30 AM. [1]
The Story of the Blue Jackal is one story in the Panchatantra One evening when it was dark, a hungry jackal went in search of food in a large village close to his home in the jungle . The local dogs didn't like Jackals and chased him away so that they could make their owners proud by killing a beastly jackal.
Durgasimha (c. 1025) was the minister of war and peace (Sandhi Vigrahi) of Western Chalukya King Jayasimha II (also known as Jagadekamalla, r. 1018–1042). [1] Durgasimha adapted the well-known set of fables, Panchatantra ("The five stratagems"), from Sanskrit language into the Kannada language in champu style (mixed prose and verse).
The stories and their order in Tantrakhyayika within Book 10 are consistent with the tales and arrangement of the Kalila wa Demna more than even the Panchatantra, and it would appear therefore that we have in the Kathasaritsagara an earlier representative of the original collection than even the Panchatantra, at least as it is now met with.