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"But Anyway" is a song by the jam band Blues Traveler, and the lead track on their 1990 eponymous debut album, Blues Traveler. The song peaked at number 5 on the Adult Alternative Airplay chart on 12 July 1996, [ 1 ] and at number 24 on the Billboard Mainstream Top 40 on 30 August 1996.
The musically "lazy" chord structure viewed in combination with the meta-lyrics reveal the true extent of what a critic for The A.V. Club describes as song's "genius": "the commentary is a big joke about how listeners will like just about anything laid on top of the chords of the infinitely clichéd Pachelbel canon, even lyrics that openly mock ...
Blues Traveler is an American rock band that formed in Princeton, New Jersey, in 1987. They are known for their extensive use of segues in live performances, and could be considered a key part of the re-emerging jam band scene of the 1990s, spearheading the H.O.R.D.E. touring music festival .
Title Album details Peak chart positions Certifications (sales threshold)US [1]US Indie [2]Blues Traveler: Release date: May 1990; Label: A&M 136 — RIAA: Gold [3]; Travelers and Thieves
Blues Traveler, the debut album by Blues Traveler, was released on A&M Records in 1990. The album features "jam structures on basic blues riffs" focused around the harmonica playing of band leader John Popper , which writer William Ruhlmann said gave the band a more focused sound than that of the Grateful Dead .
The book has since been published in a case-size edition by William Bay, Mel's son and has spawned a series of similar books like the Encyclopedia of Guitar Chord Progressions (first published in 1977 [3]), Encyclopedia of Guitar Chord Inversions, Mel Bay's Deluxe Guitar Scale Book, Encyclopedia of Jazz Guitar Runs, Fills, Licks & Lines, and ...
It should only contain pages that are Blues Traveler songs or lists of Blues Traveler songs, as well as subcategories containing those things (themselves set categories). Topics about Blues Traveler songs in general should be placed in relevant topic categories .
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).