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The Chola style was a combination of styles and it was heavily influenced by the hip-hop culture, the Pachuca style and the gang culture. Cholas were characterized by their oversized clothing and flannel shirts as well as by the use of dark lip liners, dramatic eyeliner and thin eyebrows, and to top it off, an excessive use of hair spray.
Cholo style has been identified as combining the loose-fitting comfort of the traditional huipil and baggy draping of the zoot suit donned by the pachuco. [7] Adopting cholo style has also been identified as a way for youths to assert their Chicano identity, especially for those who are only English-speaking.
Pachucos are associated with zoot suit fashion, jump blues, jazz and swing music, a distinct dialect known as caló, and self-empowerment in rejecting assimilation into Anglo-American society. [1] The pachuco counterculture flourished among Chicano boys and men in the 1940s as a symbol of rebellion, especially in Los Angeles.
For some, during the time of WWII the wearing of the pachuca style was a statement to the communities of their identity, for others it was a symbol of rebellion. The emergence of the coverage and documentation of Las Pachucas, as well as "the appearance of female pachucos coincided with a dramatic rise in the delinquency rates amongst girls ...
Gonzales began drawing his humorous characters on T-shirts and other products, which he and his wife sold on local beach stands, swap meets, liquor stores, and eventually urban clothing stores. [5] [6] In 1998, Gonzales released the first set of Homies figurines, initially sold in supermarket vending machines located in Chicano communities. [7]
Two guayaberas seen from the back, showing the alforza pleats and the Western-style yoke. The guayabera (/ ɡ w aɪ. ə ˈ b ɛr ə /), also known as camisa de Yucatán (Yucatán shirt) in Mexico, is a men's summer shirt, worn outside the trousers, distinguished by two columns of closely sewn pleats running the length of the front and back of the shirt.