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In Aztec folklore, Moctezuma II is often remembered not only as a ruler but as a figure whose reign marked the coinciding of divine prophecy and political power. [ 14 ] [ 15 ] His association with Quetzalcoatl , the feathered serpent deity, imbues the headdress with a layer of religious and cultural symbolism.
A tzompantli, illustrated in the 16th-century Aztec manuscript, the Durán Codex. A tzompantli (Nahuatl pronunciation: [t͡somˈpant͡ɬi]) or skull rack was a type of wooden rack or palisade documented in several Mesoamerican civilizations, which was used for the public display of human skulls, typically those of war captives or other sacrificial victims.
However, Robertson's views, which equated Mixtec and Aztec style, have been contested by Elizabeth-Hill Boone, who considered a more naturalistic quality of the Aztec pictorial school. Thus, the chronological situation of these manuscripts is still disputed, with some scholars being in favour of them being pre-Hispanic, and some against.
The dress for Aztec royalty also varied from the dress for the elites. According to scholar Patricia Rieff Anawalt, the clothing worn by the Aztec royalty was the most lavish of all the garments worn by the Aztec people. [16] Their elaborate dress was also worn in combination with embellishments of jewelry, particularly in ceremonial occasions ...
It was created on European paper, with drawings and Spanish language text on both sides of each page. The Codex Magliabechiano is primarily a religious document. Various deities, indigenous religious rites, costumes, and cosmological beliefs are depicted. Its 92 pages are almost a glossary of cosmological and religious elements.
The Double-headed serpent is an Aztec sculpture. It is a snake with two heads composed of mostly turquoise pieces applied to a wooden base. It came from Aztec Mexico and might have been worn or displayed in religious ceremonies. [1] The mosaic is made of pieces of turquoise, spiny oyster shell and conch shell. [2] The sculpture is at the ...
Coiled Serpent, unknown Aztec artist, 15th–early 16th century CE, Stone, The Metropolitan Museum of Art, New York, United States [1] The use of serpents in Aztec art ranges greatly from being an inclusion in the iconography of important religious figures such as Quetzalcoatl and Cōātlīcue, [2] to being used as symbols on Aztec ritual objects, [3] and decorative stand-alone representations ...
Featherwork is the working of feathers into a work of art or cultural artifact. This was especially elaborate among the peoples of Oceania and the Americas , such as the Incas and Aztecs . Feathered cloaks and headdresses include the ʻahuʻula capes and mahiole helmets were worn by Hawaiian royalty ; many are now on display at the Bishop ...