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Ohara Koson, around the age of 53. Ohara Koson (also Ohara Hōson, Ohara Shōson) (Kanazawa 1877 – Tokyo 1945) was a Japanese painter and woodblock print designer of the late 19th and early 20th centuries, at the forefront of shinsaku-hanga and shin-hanga art movements.
Scene: Canada geese taking flight in waterscape. White Herons, oil on canvas: 1929: 40 in x 32.3 in (101.6 cm x 82 cm) IAP 8A220036: Scene: herons (3) wading in lake amidst lily pads; two herons at left look right (one stands taller; second one's neck is swooped down); heron at right faces left with beak pointing toward water. White Herons,
Hisako Hibi was born on May 14, 1907, in Torihama, a farming village located in the Fukui Prefecture, Japan.Hibi was born into a Buddhist family. [1] [7] She was the eldest of six children and stayed with her grandmother after her parents moved to the United States.
The family Ardeidae contains the bitterns, herons and egrets. Herons and egrets are medium to large wading birds with long necks and legs. Bitterns tend to be shorter necked and more wary. Members of Ardeidae fly with their necks retracted, unlike other long-necked birds such as storks, ibises and spoonbills. Great bittern, Botaurus stellaris
Hondecoeter's paintings featured geese (brent goose, Egyptian goose and red-breasted goose), fieldfares, partridges, pigeons, ducks, northern cardinal, magpies and peacocks, but also African grey crowned cranes, Asian sarus cranes, Indonesian yellow-crested cockatoos, an Indonesian purple-naped lory and grey-headed lovebirds from Madagascar.
— One of the world’s most famous paintings is now on display at the Nelson-Atkins Museum. Called “Under the Wave off Kanagawa,” this painting has inspired countless artists over the past ...