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played like a harp (i.e. the notes of the chords are to be played quickly one after another instead of simultaneously); in music for piano, this is sometimes a solution in playing a wide-ranging chord whose notes cannot be played otherwise; arpeggios are frequently used as an accompaniment; see also broken chord articulato Articulate assai
The Allegro de concierto in C ♯ major, Op. 46, is a virtuosic showpiece for piano by Enrique Granados, composed between 1903 and 1904. [1] Its lyricism and technical brilliance, reminiscent of Franz Liszt , have made it one of the composer's most popular works.
Goldsworthy was nine years old when she met Eleonora Sivan, a charismatic Russian émigré and world-class pianist who became her piano teacher. Piano Lessons documents what Sivan brought to Goldsworthy's lessons: a love of music, a respect for life, a generous spirit and the courage to embrace a musical life. [1] [2] [3]
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
Originally the Notenbuch was a bound volume comprising forty-eight pages of blank music paper, with eight staves on each page. Inscribed with the words Pour le clavecin (French: For the harpsichord), it was presented to Nannerl on the occasion of her eighth name day on 26 July 1759 (or possibly her eighth birthday, which fell on the 30th or 31st day of the same month).
I. Allegro ma non troppo. A minor.In sonata form.The exposition modulates to the submediant, F major, rather than to the usual mediant, C major.The recapitulation begins in the subdominant, D minor, and most of the recapitulation's second group is in A major before a short coda returns to the minor mode for the movement's ending.