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The loss which Laelius had thus sustained leads to a eulogy on the virtues of the departed hero, and to a discussion on the nature of their friendship. [1] Many of the sentiments which Laelius utters are declared by Scaevola to have originally flowed from Scipio, with whom the nature and laws of friendship formed a favourite topic of discourse.
Poem 68 is a complex elegy written by Catullus, who lived in the 1st century BCE during the time of the Roman Republic.This poem addresses common themes of Catullus' poetry such as friendship, poetic activity, love and betrayal, and grief for his brother.
Bishop wrote seventeen drafts of the poem, [6] [self-published source] with titles including "How to Lose Things," "The Gift of Losing Things," and "The Art of Losing Things". [7] By the fifteenth draft, Bishop had chosen "One Art" as her title. [8] The poem was written over the course of two weeks, an unusually short time for Bishop. [7]
The poem opens up with the speaker remembering his past losses. The narrator grieves his failures and shortcomings while also focusing on the subject of lost friends and lost lovers. [ 16 ] Within the words of the sonnet, the narrator uses legal and financial language. [ 17 ]
"The Happiest Day", or "The Happiest Day, the Happiest Hour", is a six-quatrain poem. It was first published as part of Poe's first collection Tamerlane and Other Poems in 1827. Poe may have written it while serving in the army. The poem discusses a self-pitying loss of youth, though it was written when Poe was about 19.
The poems in Lyrical Ballads were mostly by Wordsworth, though Coleridge contributed one of the great poems of English literature, [21] the long Rime of the Ancient Mariner, a tragic ballad about the survival of one sailor through a series of supernatural events on his voyage through the South Seas, and involves the symbolically significant ...
"If—" is a poem by English poet Rudyard Kipling (1865–1936), written circa 1895 [1] as a tribute to Leander Starr Jameson. It is a literary example of Victorian-era stoicism. [2] The poem, first published in Rewards and Fairies (1910) following the story "Brother Square-Toes", is written in the form of paternal advice to the poet's son ...
That year, Gunn published a second collection of essays with an interview, Shelf Life, and his substantial Collected Poems, which David Biespiel hailed as a highlight of the century's poetry: "Thom Gunn is a poet of 'comradely love'. Compassion has always been his domain and his work's principal emotion.