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Marshall reissued the 2×12" Bluesbreaker [1] in 1989; the 4×10" was never reissued. [7] This version used 6L6 tubes. [7] [10] A reissue called the 1962 Bluebreaker was available in the 2000s and used 5881 power tubes. [11] An amplifier head, the 2245THW, was reissued in Marshall's "Handwired" series, with circuitry identical to the Bluesbreaker.
Clapton asked Jim Marshall to produce a combo amplifier with tremolo, which would fit in the boot of his car, and one of the most famous Marshall amps was born, the "Bluesbreaker" amp. [7] This is the amplifier, in tandem with his 1960 Gibson Les Paul Standard (the "Beano"), that gave Clapton that famous tone on the John Mayall & the ...
The JCM800 series (Models 2203, 2204, 2205, and 2210) is a line of guitar amplifiers made by Marshall Amplification.The series was introduced in 1981. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers in 1981.
At this time, The Who were using their own precursors to the Marshall Stack with 50 watt amps; John Entwistle used a Marshall JTM45 head feeding two 4x12" cabinets (set up side-by-side), and Townshend had a 1964 Fender Bassman powering a single 4x12" Marshall cabinet set up on top of a second cab. [4]
The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume"), [1] is an amplifier in Marshall's "Standard" series. [2] It was designed by Ken Bran and Dudley Craven after The Who's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [3]
Another popular format is four 10" or four 12" speakers. Some performers use two 4x10" or 4x12" cabinets. The largest guitar speaker cabinets have eight 10" or 12" speakers. A 4x12" ("four by twelve") is a guitar speaker cabinet containing four 12" speakers. Less commonly, some bass amp cabinets have multiple 8" speakers (e.g., the 8x8" cabinet).