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Catherine Murat, Princess Murat (née Catherine Daingerfield Willis). This is a non-exhaustive list of some American socialites, so called American dollar princesses, from before the Gilded Age to the end of the 20th century, who married into the European titled nobility, peerage, or royalty.
Miss Caroline Fisher is the first-grade teacher and is new to Alabama and its ways. She attempts to teach the first-grade class using a new method that she took from a college course that Jem mistakenly refers to as the way library books are classified: the Dewey Decimal Classification. She is upset by Scout's advanced reading capabilities and ...
Francis I, Emperor of Austria to Caroline Augusta of Bavaria, on 28 October 1816; Pedro I of Brazil to Maria Leopoldina of Austria, on 13 May 1817 [108] Infante Francisco de Paula of Spain to Princess Luisa Carlotta of Naples and Sicily, on 15 April 1819 [109] John, King of Saxony to Amalie Auguste of Bavaria, on 10 November 1822
Caroline Blanche Elizabeth Fitzroy (died 1912) 1844 1912-08-04 mp05514: p2058.htm#i20576: ... Janet C. Fisher: British painter and printmaker (1867-1926) 1867 1926
Blanche Fisher Wright Laite [1] (1887 [citation needed] – 1971 [citation needed]) was an American children's book illustrator active in the 1910s. [2] She is best known for illustrating The Real Mother Goose , published in 1916 by Rand McNally .
The Cockman Family is made up of a sister, four brothers, and their father: John Cockman Sr. on guitar, Caroline Cockman Fisher on lead vocals, John Cockman Jr. on fiddle and bass vocals, Billy Cockman on banjo and tenor vocals, David Cockman on bass and baritone vocals, and Ben Cockman on mandolin and baritone vocals.
C. Mildred Cable; Eleanor Jane Taylor Calverley; Donaldina Cameron; Blanche Brenton Carey; Amy Carmichael; Martha Cartmell; Maude Cary; Mary Tenney Castle; Abbie Goodrich Chapin
Notable American Women: The Modern Period : a Biographical Dictionary updated the set for subjects who died between 1951 and 1976. The work for the fourth volume was a joint project of Radcliffe College and Harvard University Press funded by the National Endowment for the Humanities, and edited by Barbara Sicherman and Carol Hurd Green.