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"Masser", by contrast, is a long, choral-based ambient track. The final track on the album, "Skyrim Atmospheres", consists entirely of ambient sound effects. The ambient piece "Frostfall" features cello and other lower register strings as well as vocals which are similar to those used in Howard Shore's The Lord of the Rings.
"Dragonborn" is the theme song for the soundtrack of the 2011 role-playing video game The Elder Scrolls V: Skyrim from Bethesda Softworks, composed by the American composer Jeremy Soule. The composition is Nordic -influenced classical in style and features a chorus singing lyrics in a fictional language, Dragon-tongue, that was created by Emil ...
Jeremy Soule Soule in 2010 Background information Born (1975-12-19) December 19, 1975 (age 49) Keokuk, Iowa, U.S. Genres Orchestral classical ambient Occupations Composer arranger symphonist Instrument Piano Years active 1994–2019 Labels DirectSong (2005–19) Materia Collective (2017–19) Musical artist Jeremy Soule is an American composer of soundtracks for film, television, and video ...
Ambient techno is a music category emerging in the late 1980s that is used to describe ambient music atmospheres with the rhythmic and melodic elements of techno. [87] Notable artists include Aphex Twin , B12 , Autechre , and the Black Dog .
Dunne is the son of late Irish poet Seán Dunne and is from Cork, Ireland. [4] [6] Before starting Miracle of Sound, Dunne spent 15 years playing in various groups.[7]As part of his previous band, Lotus Lullaby, he and his bandmates competed in and won the Bank of Ireland National Student Music Awards in 2006, [8] [9] as well as the Murphy's Battle of the Bands earlier the same year.
In filmmaking, ambience (also known as atmosphere, atmos, or background) consists of the sounds of a given location or space. [1] It is the opposite of "silence". Ambience is similar to presence, but is distinguished by the existence of explicit background noise in ambience recordings, as opposed to the perceived "silence" of presence recordings.
Dark ambient has its roots in the 1970s with the introduction of newer, smaller, and more affordable effects units, synthesizer and sampling technology. Early genre elements can be found on Throbbing Gristle's 1978 album D.o.A: The Third and Final Report of Throbbing Gristle, and in the soundtrack to the 1977 David Lynch film Eraserhead.
Space music appears in many film soundtracks and is commonly played in planetariums. [21] According to Hill space music is an eclectic music produced almost exclusively by independent labels and it occupies a small niche in the marketplace, supported and enjoyed by a relatively small audience of loyal enthusiastic listeners. [22]