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The General is a war poem by the English war poet Siegfried Sassoon that takes place in World War I, specifically in the Battle of Arras.Written in April 1917 from Sassoon's hospital bed in London while recovering from a shoulder wound received while leading a bombing assault, [2] the poem is about a general who greets soldiers as they arrive onto the front lines.
The poem was a popular motivational tool in Great Britain, where it was used to encourage soldiers fighting against Germany, and in the United States where it was reprinted across the country. It was one of the most quoted works during the war, [ 12 ] used in many places as part of campaigns to sell war bonds , during recruiting efforts and to ...
"The Soldier" is a poem written by Rupert Brooke. It is the fifth and final SONNET in the sequence 1914 , published posthumously in 1915 in the collection 1914 and Other Poems . The manuscript is located at King's College, Cambridge .
Soldier's Dream is a poem written by English war poet Wilfred Owen. It was written in October 1917 in Craiglockhart , a suburb in the south-west of Edinburgh (Scotland), while the author was recovering from shell shock in the trenches, inflicted during World War I .
Tommy" is an 1890 poem [1] by Rudyard Kipling, reprinted in his 1892 Barrack-Room Ballads. [2] The poem addresses the ordinary British soldier of Kipling's time in a sympathetic manner. [ 3 ] It is written from the point of view of such a soldier, and contrasts the treatment they receive from the general public during peace and during war.
A ball turret was a Plexiglas sphere set into the belly of a B-17, B-24, B-25, B-32 and inhabited by two .50 caliber machine guns and one man, a short small man. When this gunner tracked with his machine guns a fighter attacking his bomber from below, he revolved with the turret; hunched upside-down in his little sphere, he looked like the ...
The poem's longevity reinforces the naturalistic austerity of its depiction of death. One interpretive viewpoint asks whether Stevens is writing about any death, or rather, as Longenbach asserts, the death of the soldier—"and not an ambiguously 'fictive' soldier but Eugène Lemercier [the young French painter killed in 1915 whose letters were collected as Lettres d'un soldat and read by ...
The heavy irony of terms compared to the events narrated in the poem contrast in purposeful ways that emphasize the senselessness of how war seems. [3] The poem's form is a dramatic monologue in the voice of a returned soldier. There are five stanzas with four lines, following a regular metre and an ABAB rhyme scheme in each stanza.