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Motion control photography is a technique used in still and motion photography that enables precise control of, and optionally also allows repetition of, camera movements. It can be used to facilitate special effects photography.
Zoom burst, a photograph taken with a zoom lens, whose focal length was varied during the course of the exposure. In a sense, ICM is the same effect as (intentional) single-exposition motion blur: in the former the camera moves during exposure, in the second the target moves, but they have in common that there is relative motion between camera and target, often resulting in streaking in the image.
Motion compensation photography (also known as ballistic synchro photography or smear photography when used to image high-speed projectiles) is a form of streak photography. When the motion of the film is opposite to that of the subject with an inverting (positive) lens, and synchronized appropriately, the images show events as a function of time.
In motion pictures, the manipulation of time and space is a considerable contributing factor to the narrative storytelling tools. Film editing plays a much stronger role in this manipulation, but frame rate selection in the photography of the original action is also a contributing factor to altering time.
Chronophotography of a European bee-eater (Merops apiaster) in flight at Pfyn-Finges, Switzerland. Chronophotography is defined as "a set of photographs of a moving object, taken for the purpose of recording and exhibiting successive phases of motion". [1]
Stereoscopic photography became very popular in the early 1850s with David Brewster and Jules Duboscq's new portable viewer with lenses. Stereoscopy inspired hope that photography could also be augmented with colour and motion for a more complete illusion of reality, and several pioneers started to experiment with these goals in mind.
Photography is the art, application, ... nitrate film remained standard for theatrical 35 mm motion pictures until it was finally discontinued in 1951. ...
Motion can be slowed further by combining techniques, such as for example by interpolating between overcranked frames. The traditional method for achieving super-slow motion is through high-speed photography, a more sophisticated technique that uses specialized equipment to record fast phenomena, usually for scientific applications.