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Shakir Hassan Al Said (Arabic: شاكر حسن آل سعيد) (1925–2004), an Iraqi painter, sculptor and writer, is considered one of Iraq's most innovative [1] and influential [2] artists. An artist, philosopher, art critic and art historian, he was actively involved in the formation of two important art groups that influenced the direction ...
The One Dimension Group (Arabic: مجموعة البُعد الواحد Al Bu'd al Wahad) was a modern art collective founded in Iraq, by Shakir Hassan Al Said in 1971 which attempted to combine medieval Sufi traditions with contemporary, abstract art. Although the One Dimension Group was founded in Iraq, its members originated from across Arab ...
Shakir Hassan Al Said. [37] Freeform calligraphy Artworks that balance classical styles with calligraffiti. [38] Abstract calligraphy Art that deconstructs letters and includes them as a graphic element in an abstract artwork. In this style of art, letters may be legible, illegible or may use pseudo-script.
Shakir Hassan Al Said (1925–2004), painter, art historian, art critic, educator and prolific author [40] Issam al-Said (1938–1988), painter, print-maker, designer, etcher, architect, philosopher and author [ 41 ]
Founded in around 1971 by the Iraqi artist and intellectual, Shakir Hassan Al Said, this group sought a new artistic identity, drawn from within Iraqi culture and heritage. The group's founder, Al Said, published a manifesto for the group in the Iraqi newspaper, al-Jamhuriyyah, in which he outlined his vision for a national art aesthetic. [96]
Miran al-Saadi; Ahmed Al Safi; Shakir Hassan Al Said; Jawad Saleem; T. Aatqall Taúaa; Z. Muqbil Al-Zahawi This page was last edited on 2 April 2018, at 01:28 ...
Shakir Hassan Al Said; Lorna Selim; W. Yahya ibn Mahmud al-Wasiti; Z. Khalil al-Zahawi; Muqbil Al-Zahawi This page was last edited on 2 April 2018, at 01:28 (UTC ...
In 1971 she joined the One Dimension Group founded by Shakir Hassan Al Said; [12] a group that sought to synthesise indigenous art with European trends and successfully bridged the gap between heritage and modernity. [13]