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The first movement, [c] in C ♯ minor and alla breve, is written in modified sonata-allegro form. [22] Donald Francis Tovey warned players of this movement to avoid "taking [it] on a quaver standard like a slow 12 8 ". [19] The movement opens with an octave in the left hand and a triplet figuration in the right.
2:05 Second Movement created in MIDI and played on a digital piano. Featured File:Beethoven Moonlight 3rd movement.ogg: 6:55 Third Movement (Presto agitato) created in MIDI and played on a digital piano. Featured File:Ludwig van Beethoven - sonata no. 14 in c sharp minor 'moonlight', op. 27 no. 2 - i. adagio sostenuto.ogg: 6:03 recording. First ...
This first movement is in the home key of B-flat major and is in Sonata form. The first two measures present a motif consisting of five notes which are used throughout the trio in various altered forms. The main theme remains piano until the coda where it returns at a fortissimo indication. [4] [2]
Piano sonatas are usually written in three or four movements, although some piano sonatas have been written with a single movement (Scarlatti, Liszt, Scriabin, Medtner, Berg), others with two movements (Haydn, Beethoven), some contain five (Brahms' Third Piano Sonata, Czerny's Piano Sonata No. 1, Godowsky's Piano Sonata) or even more movements ...
In music, a sonata (/ s ə ˈ n ɑː t ə /; pl. sonate) [a] literally means a piece played as opposed to a cantata (Latin and Italian cantare, "to sing"), a piece sung. [1]: 17 The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance.
The sonata closes with a cut time movement in C minor. The main theme closely resembles the second theme of the Allegro of the first movement: its melodic pattern is identical for its first four notes, and its rhythmic pattern for the first eight. There is also a modified representation of the melody from the second movement, so it connects all ...
The second movement is a scherzo and is in ternary form (the norm for scherzi). Beethoven specifically notates the first phrase to start in the second bar. [12] The main theme consists of mostly quarter notes in parallel octaves. Inside the theme, the first 16 bars are repeated outside an 8-bar middle strain. [12]
Enormous, immense (notably used in the first movement of Prokofiev's second piano concerto) come prima As before, typically referring to an earlier tempo come sopra As above (i.e. like the previous tempo) common time The time signature 4 4: four beats per measure, each beat a quarter note (a crotchet) in length. 4 4 is often written on the ...