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List of lost films; List of lost silent films (1910–1914) List of lost silent films (1915–1919) List of lost silent films (1920–1924) List of lost silent films (1925–1929) List of incomplete or partially lost films; List of lost or unfinished animated films; List of rediscovered films; List of rediscovered film footage
Lee Orville Erwin (July 15, 1908 – September 21, 2000) was an American theatre organist who played an important part in a revival of interest in the silent film era. His career began as an organist accompanying first-run silent films in the 1920s.
A four-minute segment was shown at the 2003 Pordenone Silent Film Festival. [185] Strong Boy: John Ford: Victor McLaglen, Leatrice Joy: The New Zealand Film Archive has a theatrical trailer, and there may be a print in Australia, according to silentera.com. [186] Thunder: William Nigh: Lon Chaney: Chaney's last silent film.
A Soviet film believed to have been lost in a 1925 fire. [152] Reveille: George Pearson: Betty Balfour: On the BFI 75 Most Wanted list. [153] The Silent Watcher: Frank Lloyd: Glenn Hunter, Bessie Love [154] The Snob: Monta Bell: John Gilbert, Norma Shearer, Conrad Nagel [155] So Big: Charles Brabin: Colleen Moore [156] A Son of Satan: Oscar ...
A silent romantic drama film. [54] The Broncho Twister: Orville O. Dull: Tom Mix, Helene Costello [55] [56] The Callahans and the Murphys: George W. Hill: Marie Dressler, Polly Moran: This film caused some controversy because of its stereotypical depiction of Irish people. MGM withdrew the picture from distribution. [57] The Chinese Parrot ...
The Dawson Film Find was the 1978 accidental discovery of 372 film titles preserved in 533 reels of silent-era nitrate films in the Klondike Gold Rush town of Dawson City. List of lost films; List of incomplete or partially lost films; List of films cut over the director's opposition
Martin Scorsese's Film Foundation claimed in 2017 that "half of all American films made before 1950 and over 90% of films made before 1929 are lost forever". [4] Deutsche Kinemathek estimates that 80–90% of silent films are gone; [5] the film archive's own list contains over 3,500 lost films.
Silent-film actors emphasized body language and facial expression so that the audience could better understand what an actor was feeling and portraying on screen. Much silent film acting is apt to strike modern-day audiences as simplistic or campy. The melodramatic acting style was in some cases a habit actors transferred from their former ...