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Renaissance Chansons is mainly for those European songs which were extensively developed by many composers or were used (e.g. as cantus firmus) for mass settings, in the period 1400-1600. Pages in category "Renaissance chansons"
"Innsbruck, ich muss dich lassen" ("Innsbruck, I must leave thee") is a German Renaissance song. It was first published as a choral movement by the Franco-Flemish composer Heinrich Isaac (ca. 1450–1517); the melody was probably written by him.
what Toussaint, Dessalines, Christophe, Pétion did to take Haitians from under the whites' rope. For Haiti on the behalf of the Ancestors Let us raise our head and look above. Let everyone to ask the Lord to grant us protection that the evil angels may not divert us, that we may walk in the right path. For liberty to be able to liberate,
Northern Italy was a leading center of Renaissance music, which broadly covered the 15th and 16th centuries of Europe. [4] Regional courts, ruled by competing families—such as the Este, Gonzaga, and Medici—patronized secular music immensely, commissioning compositions and forming large ensembles. [5]
One of the most pronounced features of early Renaissance European art music was the increasing reliance on the interval of the third and its inversion, the sixth (in the Middle Ages, thirds and sixths had been considered dissonances, and only perfect intervals were treated as consonances: the perfect fourth the perfect fifth, the octave, and the unison).
The Journal of Musicology 12, No. 3, Aspects of Musical Language and Culture in the Renaissance: A Birthday Tribute to James Haar (Summer): 287–305. McComb, Todd M. n.d. "O rosa bella: English and Continental Music from the Late Gothic Period. Clemencic Consort – René Clemencic. Arte Nova 59210". www.medieval.org (accessed 16 April 2019).
Keith Polk (ed.), Tielman Susato and the Music of His Time.Print Culture, Compositional Technique and Instrumental Music in the Renaissance. Hillsdale/N.Y., Pendragon Press 2005, ISBN 1-57647-106-3 (partly online)
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.