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Rococo painting also illustrates, in its first version, the social schism that would lead to the French Revolution, and represents the last symbolic bastion of resistance of an elite distant from the problems and interests of the common people, and that was increasingly threatened by the rise of the middle class, which was educated and began to ...
Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
The portrait of Diderot (1769) has recently had its attribution to Fragonard called into question. [citation needed] Early engraving after Jean-Honoré Fragonard titled Chaumiére Italienne [8] A lukewarm response to these series of ambitious works induced Fragonard to abandon the Rococo style and to experiment with Neoclassicism.
Portrait painting is a genre ... During the Baroque and Rococo ... This is aptly demonstrated by his landmark series of paintings known as the "Helga" pictures, the ...
Italian Rococo was mainly inspired by the rocaille or French Rococo, since France was the founding nation of that particular style. The styles of the Italian Rococo were very similar to those of France. The style in Italy was usually lighter and more feminine than Italian Baroque art, and became the more popular art form of the settecento.
Jean-Baptiste Charpentier the Elder (1728, Paris - 3 December 1806, Paris) was a French Rococo portrait painter, associated with the Royal Court. He is best known for portraits of Marie-Antoinette and Louis Jean Marie de Bourbon, Duke of Penthièvre. He also painted members of the Duke's family. His early works were mostly genre scenes.