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"Suicide Is Painless" (also known as "Theme from M*A*S*H" or "Song from M*A*S*H") is a song written by Johnny Mandel (music) and Michael Altman for the 1970 film M*A*S*H. In addition to being performed by characters in the film, it plays during the title sequence as sung by The Ron Hicklin Singers .
M*A*S*H (an acronym for Mobile Army Surgical Hospital) is an American media franchise consisting of a series of novels, a film, several television series, plays, and other properties, and based on the semi-autobiographical fiction of Richard Hooker.
M*A*S*H (an acronym for Mobile Army Surgical Hospital) is an American war comedy drama television series that aired on CBS from September 17, 1972, to February 28, 1983. It was developed by Larry Gelbart as the first original spin-off series adapted from the 1970 feature film M*A*S*H, which, in turn, was based on Richard Hooker's 1968 novel MASH: A Novel About Three Army Doctors.
Alan Alda (left), Wayne Rogers (right), McLean Stevenson (in back) and Loretta Swit (in front) from the first season of M*A*S*H. M*A*S*H is an American television series developed by Larry Gelbart and adapted from the 1970 feature film MASH (which was itself based on the 1968 novel MASH: A Novel About Three Army Doctors by Richard Hooker). [1]
M*A*S*H features the song "Suicide Is Painless", [18] with music by Mandel and lyrics by Mike Altman, the director's then 14-year-old son. The version heard under the opening credits was sung by uncredited session vocalists John Bahler , Tom Bahler , Ron Hicklin , and Ian Freebairn-Smith ; on the single release, the song is attributed to "The ...
"Sometimes You Hear the Bullet" is the 17th episode of the first season of the TV series M*A*S*H, originally airing on January 28, 1973. This is the first episode in which the medical staff failed to save a wounded soldier, and one of the first episodes of the series showing a member of the hospital staff truly affected by death.
Chopra says Rodgers was immediately “really trusting” with him and Hughes, adding that throughout their year working together on the documentary, Rodgers “was very open and vulnerable.”
B.J. eagerly takes possession of the motorcycle while Winchester begins to teach the prisoners classical music. Despite a language barrier, the musicians recognize Mozart's name and learn to play Mozart's Clarinet Quintet. [1] Margaret Houlihan and Winchester discuss their postwar careers. Houlihan is offered an Army administrative post while ...