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The Red River Jig is a traditional dance and accompanying fiddle tune, culturally relevant to both the Canadian Métis and the First Nations. [1] The dance’s performers and fiddlers currently and historically includes individuals identifying as First Nations, French Canadian, or Scottish Canadians, as well as others involved in the expansive 19th century fur trade. [1]
Tablature (or tab for short) is a form of musical notation indicating instrument fingering or the location of the played notes rather than musical pitches. Tablature is common for fretted stringed instruments such as the guitar , lute or vihuela , as well as many free reed aerophones such as the harmonica .
The fiddle may be re-tuned in any number of ways in these musical idioms, but there are two common re-tunings. While the standard tuning for open strings of the violin is GDAE—with the G being the tuning of the lowest-pitched string and the E being the tuning for the highest-pitched string—fiddlers playing tunes in the key of D major ...
The Fiddle Music of James Hill (ISBN 0-902510-27-4), a collection of Hill's compositions and other tunes, transposed into keys suitable for Northumbrian smallpipes, has been published by the Northumbrian Pipers' Society. Some of the early manuscript sources for his music may be viewed in facsimile on the FARNE (Folk Archive Resource North East ...
Fiddle players tend to play fiddle "tunes" rather than sonatas and other classical types of compositions. There are exceptions. For instance, partitas have been popular with fiddle players, particularly since publication of the Open House CD by Kevin Burke, an Irish style player based in Portland, Oregon. Fiddles are typically associated with ...
The following is the basic tune with the lyrics of the chorus. These tabs assume the player has a diatonically fretted instrument tuned to one of the 1-5-8 open tunings like G-D-G or D-A-D, such as one might find on a mountain dulcimer or a stick dulcimer. 2 2 2 2 3 9 Boil them cab-bage down, down. 2 2 2 2 1 1
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Bluegrass fiddlers combine from many genres and tend to be highly skilled with strong roots in fiddle rather than violinistic traditions. As such, they can be seen to disregard the rules that violinists follow: they hold the fiddle the "wrong" way and don't necessarily use the chin rests, shoulder rests. [ 10 ]