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The Madonna of Bruges is a marble sculpture by Michelangelo of the Virgin and Child. Michelangelo's depiction of the Madonna and Child differs significantly from earlier representations of the same subject, which tended to feature a pious Virgin smiling down on an infant held in her arms. Instead, Jesus stands upright, almost unsupported, only ...
Madonna and Child (Madonna of Bruges) 1501–1504 Church of Our Lady, Bruges: Marble height 128 cm David De Rohan (in Italian) 1502–1508 Lost: Bronze Saint Paul: 1503–1504 Cathedral, Siena: Marble Saint Peter: 1503–1504 Cathedral, Siena: Marble Saint Pius: 1503–1504 Cathedral, Siena: Marble Saint Gregory: 1503–1504 Cathedral, Siena ...
The Church of Our Lady (Dutch: Onze-Lieve-Vrouwekerk) is a Roman Catholic church in Bruges, Belgium, dating mainly from the 13th, 14th and 15th centuries.Its 115.6-metre-high (379 ft) tower remains the tallest structure in the city and the third tallest brickwork tower in the world (after St. Mary's Church in Lübeck and St. Martin's Church in Landshut, both in Germany).
The sculpture Madonna and Child, which can be seen in the transept, is believed to be the only of Michelangelo's sculptures to have left Italy within his lifetime. Bruges' best-known landmark is the Belfry of Bruges, a 13th-century belfry housing a municipal carillon comprising 47 bells. [37]
The tondo dates to Michelangelo's time in Florence before his move to Rome in 1505. According to the art historian, Vasari, while working on his David, Michelangelo "also at this time... blocked out but did not finish two marble tondi, one for Taddeo Taddei, today in his house, and for Bartolomeo Pitti he began another... which works were considered outstanding and marvellous".
The exact date of execution of the statue is unknown, but it is usually related to the project for the tomb of Julius II.It is thought to have been intended for one of the lower niches of one of the last projects for the tomb, perhaps that of 1532 for which the so-called Captives or "Provinces" now in the Galleria dell'Accademia of Florence may have also been made.
Michelangelo never said why he carved a sculpture of a cupid, but it is known that he studied a sculpture in the Medici Gardens that contained a sleeping cupid. [2] Ascanio Condivi , the Italian Painter, described Michelangelo's work as "a god of love, aged six or seven years old and asleep".
The Portrait of Giuliano de' Medici, Duke of Nemours, is a 1.68m–tall marble sculpture by Michelangelo, dating to 1526–1534. It forms part of the decorative scheme of the Medici Chapel in San Lorenzo in Florence. It is the central sculpture of the tomb of Giuliano de' Medici, Duke of Nemours, and is an idealised portrait of him.