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Sustainable art is art in harmony with the key principles of sustainability, which include ecology, social justice, non-violence and grassroots democracy. [1] Sustainable art may also be understood as art that is produced with consideration for the wider impact of the work and its reception in relationship to its environments (social, economic ...
Environmental art is a range of artistic practices encompassing both historical approaches to nature in art and more recent ecological and politically motivated types of works. [ 1 ] [ 2 ] Environmental art has evolved away from formal concerns, for example monumental earthworks using earth as a sculptural material , towards a deeper ...
Ecological art is an art genre and artistic practice that seeks to preserve, remediate and/or vitalize the life forms, resources and ecology of Earth. Ecological art practitioners do this by applying the principles of ecosystems to living species and their habitats throughout the lithosphere, atmosphere, biosphere, and hydrosphere, including wilderness, rural, suburban and urban locations.
1928, Questionnaire initiated by the German museum council in 1928 on how much to clean, how much to inpaint [Berlin was a leading international art center at this time]. German activities at an international level ended when the National Socialists assumed power in 1933; art experts who emigrated (e.g. Max J. Friedländer, Ernst Gombrich ...
A sustainable public art work would include plans for urban regeneration and disassembly. Sustainability has been widely adopted in many environmental planning and engineering projects. Sustainable art is a challenge to respond the needs of an opening space in public.
The idea of renewable energy sculptures has been developed by artists including Patrice Stellest, Sarah Hall, Julian H. Scaff, Patrick Marold, Elena Paroucheva, architects Laurie Chetwood and Nicholas Grimshaw, University of Illinois professor Bil Becket, and collaborations such as the Land Art Generator Initiative.
Maja Fowkes is the author of The Green Bloc: Neo-avant-garde Art and Ecology under Socialism (2015). [11] They co-directed the Getty Foundation Connecting Art Histories funded international programme Confrontations: Sessions in East European Art History based at the Post-socialist Art Centre (PACT, UCL) from 2018-22.
Demos received his PhD in 2000 from Columbia University. His first book, which emerged from his doctoral thesis, was The Exiles of Marcel Duchamp (MIT Press, 2007). It situates Duchamp’s mixed-media projects, such as La Boîte-en-valise, and his installations, including the 1938 Surrealist exhibition in Paris, in the context of the early twentieth century’s world wars and nationalist ...