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Complex rhythms: Ethiopian music is known for its intricate rhythmic patterns, as with the case for many African music, often featuring irregular meters and syncopation. Vocal styles: Traditional Ethiopian singing includes a variety of vocal techniques, such as melismatic, ornamentation, vocal slides, and call-and-response structures. In terms ...
[2] By the time of the album's re-release, synthesizers and drum machines had become common instruments within Ethiopian pop music, albeit in a different fashion than that on His Classical Instrument. Tangari felt one of the aspects which separates the Mergia album from other Ethiopian music "is the fact that it was made in solitude, and ...
Hailu Mergia (Amharic: ኃይሉ መርጊያ, romanized: ḫayilu merigīya) is an Ethiopian keyboardist, accordionist, composer, and arranger now based in Washington D.C., United States. He is known for his role in the Walias Band in the 1970s, one of the most significant groups in Ethiopia’s "golden age" of music. [1]
[7] [8] The album reached number 23 on the Billboard classical albums chart. [9] In January 2020 Yifrashewa gave the first ever grand piano concert in Ethiopia, at the Ethiopian Skylight Hotel. [6] He has performed concerts across the world, including at Carnegie Hall and the Issue Project Room in New York. [1] [3] [10]
Tizita songs are a popular music genre in Ethiopia and Eritrea. It's named after the Tizita Qañat mode/scale used in such songs. [1] Tizita is known for strongly moving listener's feelings not only among the Amhara, but a large number of Ethiopians, in general. [5] Western sources often compare tizita to the blues.
Kimberlin, Cynthia Tse, "Four Contemporary Ethiopian Composers and their Music: Asnakech Worku, Nuria Ahmed Shami Kalid a.k.a. Shamitu, Ezra Abate Iman, and Ashenafi Kebede", Ethiopia in Broader Perspective: Papers of [the] 13th International Conference of Ethiopian Studies, Vols.
The masenqo (Amharic: ማሲንቆ; Tigrinya: ጭራ-ዋጣ (ዋጣ), also known as masinko, is a single-stringed bowed lute commonly found in the musical traditions of Eritrea and Ethiopia. [1] As with the krar , this instrument is used by Ethiopian minstrels called azmaris ("singer" in Amharic ) . [ 2 ]
Mulatu recorded Mulatu of Ethiopia (1972) in New York City, but most of his music was released by Amha Eshete's label Amha Records in Addis Ababa, Ethiopia, including several singles, his album Yekatit Ethio Jazz (1974), and six out of the ten tracks on the compilation album Ethiopian Modern Instrumentals Hits.