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Albatross (instrumental) Alley Cat (song) Amen, Brother; L'amour est bleu; And the Address; Anji (instrumental) Apache (instrumental) Applejack (song) Apples and Bananas (instrumental) Asia Minor (instrumental) At the Sign of the Swingin' Cymbal; Atlantis (instrumental)
A significant portion of Zappa's discography consists of instrumental works, but many of these could be classified as modern classical or avant-garde music rather than rock. "Peaches en Regalia" (Hot Rats, 1969) "Eat That Question" (The Grand Wazoo) Sleep Dirt (1979 - reissues of this album featured overdubbed vocals on several tracks)
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Instrumental rock was most popular from the mid-1950s to mid-1960s, with artists such as Bill Doggett Combo, The Fireballs, The Shadows, The Ventures, Johnny and the Hurricanes and The Spotnicks. Surf music had many instrumental songs. Many instrumental hits had roots from the R&B genre. The Allman Brothers Band feature several instrumentals.
Easy listening (including mood music [5]) is a popular music genre [6] [7] [8] and radio format that was most popular during the 1950s to the 1970s. [9] It is related to middle of the road (MOR) music [1] and encompasses instrumental recordings of standards, hit songs, non-rock vocals and instrumental covers of selected popular rock songs.
"Popcorn" (first version "Pop Corn") is an instrumental song composed by Gershon Kingsley in 1969 for the album Music to Moog By. It was performed on the Moog synthesizer and released on the Audio Fidelity label. The name is a combination of pop for pop music and corn for kitsch. [3]
"Joy" is a 1971 instrumental pop hit record by Apollo 100. It is a contemporary rendition of a 1723 composition by Johann Sebastian Bach entitled "Jesu, Joy of Man's Desiring", shortened to simply "Joy". [1] [2] [3] It reached number 6 on the U.S. Billboard Hot 100 in January 1972 and number 2 on the Adult Contemporary chart.
"Telstar" is a 1962 instrumental by the English band the Tornados, written and produced by Joe Meek. It reached number one on the UK Singles Chart and the US Billboard Hot 100 in December 1962 (the second British recording to reach number one on that chart in the year, after "Stranger on the Shore" in May). It was the second instrumental single ...