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In the cinema of the United States, a unit production manager (UPM) is the Directors Guild of America–approved title for the top below-the-line staff position, responsible for the administration of a feature film or television production. Non-DGA productions might call it the production manager or production supervisor.
Ezra Swerdlow (March 2, 1953 – January 23, 2018) [1] was an American film producer and production manager. In 1980, he served as a unit manager on the Woody Allen film Stardust Memories. [2] He co-owned Schindler/Swerdlow Productions in New York.
Production manager (music), in charge of the technical crew Production manager (theatre) , responsible for realizing a production within constraints of technical possibility Unit production manager , responsible for performing various job duties given by the line producer in a film or television show production office.
Colin Wilson (born June 13, 1961) is an American film producer, executive producer, and unit production manager. He is best known for producing the films Casper (1995), The Lost World: Jurassic Park (1997), Amistad (1997), Lara Croft: Tomb Raider (2001), Terminator 3: Rise of the Machines (2003), Troy (2004), War of the Worlds (2005), Munich (2005), John Carter (2012), and The Meg (2018).
Staff positions have four kinds of authority: "advise authority", offering advice to line managers who may ignore it; "compulsory advice" or "compulsory consultation" in which line managers must consider staff advice, but can choose not to heed it; "concurrent authority," in which a line manager must seek the agreement of a staffer, and ...
James D. Brubaker (March 30, 1937 – January 3, 2023) was an American film producer and production manager.Associated with Chartoff-Winkler Productions for several years, he had producing credits on several of the company's productions including two films in the Rocky series, as well as True Confessions and The Right Stuff.
Second unit is a discrete team of filmmakers tasked with filming shots or sequences of a production, separate from the main or "first" unit. [1] The second unit will often shoot simultaneously with the other unit or units, allowing the filming stage of production to be completed faster.
The second unit works independently but in coordination with the director of the overall project and is responsible for city and landscape shots, establishing shots and intermediate images as well as for mass, action and stunt scenes. The length of the filming depends not only on the length of the film, but also on the number and type of locations.